Full Circle

      

After the expiration of an aesthetic pantheon, it's receptacles go with it, and the western psychosexual psyche must reinvent itself in a new form. During the noughties Kalpa, this interest returned to the youth with media like Twilight. As much as girls liked it, boys liked clowning on it, which is itself a rev of the hormonal engine in solidarity with impulses antithetical; or potentially as a correction to its flaws, in repressive intrigue for what it could offer. What it could offer was a low key stimulant for young men who identify with the selection strategy of charm and romance, tropes also common in anime. Before you doubt me, consider how prominent anime is in male interests today, albeit warped. 

Twilight is a tap into female psychology of the 2000s; and its Formus is inherently flawed. It explored the feminine impulse to play the field with the rivalry between the two love interests. One is skinny and the other is buff, but the game is rigged from the start because it's written by a fat femcel. 

The vampire is refined and gentle, so to contrast that, the American Indian guy is forthgoing and rough around the edges, however both characters have one-itis for the mid protagonist. It's just a hypergamous power fantasy for beta women, manifested by architypes which would never have romantic singular interest in a flat quirky girl. That is the reason it was scorned to a point where doing so itself became a tired cliche. However there is still a kernel of positivity in romantic media aimed towards beta women, primarily because they are ideal partners for introspective men who study their forms to manifest the desired male architype. Twilight imploding into a polyamorous scenario in favor of female greed collapsed it's potential towards this end; that, and the flowery traits of its architypes were ripe to be ecstatically withdrawn from.

Accordingly a direct negation of the form, and amplification of its positive potential ensued, both culturally and directly when a woman wrote an S&M fanfiction of Twilight. Presumably the further the form was refined the further it drew from it's prior integration, so she changed the name to Fifty Shades of Grey and recalibrated it as its own entity. The beast had metamorphosized for better from it's snagging restraints. What remained was the cerebral capacity of introspective men for singular and obsessive affection, now fortified with divine notions of possession; domination and submission, as nature offers it, bare and irresistible. Frankly it's a good influence on women, and a convenience for introspective men (otherwise antinormies). As it surged in withdrawal from the Twilight form, so too did other facets of the trend from their own Pupa states.

The saint Jeff the Killer pulsed teeth from the boyfriend architype and ran with acolytes in the pubescent interest of danger, one psychologically perennial with hormonal discovery, guiding it righteously through themes of domination and violence, fearsome stimulants manifested as Creepypastas. That is why despite few slasher villains being handsome teenage boys, the urban legend guided its creed form Twilight, into a charged receptacle of the divine impulse.

These forms declined along with Scene during the Planemeld, lingering as late as 2013, it's vein never fully extinguished, tapped into by renegade zoomers and those still young as it developed.

My theory is this. The carnal humors of millennial impulse dabbled in forms during the noughties, which were advanced in the 2010s, before being outcompeted by antithetical forms which equipped themselves with the means of degeneracy as shock value for integrity. The lingering vein of what was bypassed in the mid 2010s will find itself as disillusionment sets further in, life becomes immediate to consequence, and people need firm values grounded in nature to hold onto. Robert Pattinson was someone weird enough to act in Twilight but, also grounded enough to hate the role. In a way he is one of us, or at least a representative subject for the disposition of antinomies, more than fucking Ryan Gosling. In Twilight he mantled an architype which was signal to antinormie breeding stock, who have since been tricked into becoming E girls. But now, as has been scheduled for our decade, he will continue his mantel as the Batman, an iteration representational of the old boyish architype which belonged and still does to our young introspective kind, adapted, once more within a rougher climate. Where prior generations' uses of the tired franchise have attempted to create dark media, the only thing which can truly impress now is rebellion, hence its many references to the climate introduced since 2016 or thereabout. 

The Batman made references to the fentanyl epidemic; it was gothic, but felt current and high tech, with the Riddler on Twitch, like a live from a red pill Instagram meme account before they were all nuked back in 2017 and replaced with trans propaganda. This was the establishment's favored alternative, a faux-edgy outlet to regulate carnal humors within safe conditions. This time there will be no curtail. I advice people to get excited, and ready to ride the coming demand.